Terminology
(I did not compile this list and I do not seek credit for it).
Please feel free to download any part of this list that is useful to you.
I will add more to it from time to time. If any one has words or phrases they feel they would like added then just e-mail them to me. (See contacting Medway Karate Clubs) or click on the mail sign below.

Japanese Numbers & Counting
- One Ichi,Shodan, Ipponme
- Two Ni, Nidan, Nihonme
- Three San, Sandan, Sanbonme
- Four Shi, (also Yon) Yodan, Yonhonme
- Five Go, Godan, Gohonme
- Six Roku, Rokudan, Ropponme
- Seven Shichi, (also Nana) Schichidan, Nanahonme
- Eight Hachi, Hachidan, Happonme
- Nine Ku, Kudan, Kyuhonme
- Ten Ju, Judan, Jipponme
To count higher you would put the word such as Ni (2) then
the number for Ten (Ju) followed by the word for a single
number e.g. three (san). We now have Ni-Ju-San (23) Try some
out for yourself, here's another Go-Ju-Ku (59)
The following words & phrases are just some of the ones you
may come across in the Dojo. Many of them wont be used, just
search through the list to find the ones that are applicable
to your club.
Remember it is more important that you know how to perform a
technique. Obviously we would like everyone to know the
correct name but it is not absolutely necessary to do so.
Don't get yourself to bogged down in learning the language
enjoying your training is much more important. Take your
time and it will all become clearer and remember we all
learn at different speeds. You have a life time to learn.
AGE UKE Upward Block. (Jodan Uke, Jodan age uke)
AGE ZUKI Rising Punch. (We tend to show this as an uppercut)
AIUCHI "Simultaneous Scoring Technique." No point awarded to
either contestant. Referee brings fists together in front of
the chest.
AKA Red
AKA (SHIRO) NO KACHI "Red (White) Wins!" The Referee
obliquely raises his arm on the side of the winner.
AKA (SHIRO) IPPON "Red (White) Scores Ippon." The Referee
obliquely raises his arm on the side of the winner (as in
...NO KACHI).
ASHI BARAI Foot Sweep.
ASHI WAZA Name given to all leg and foot techniques..
ATEMI WAZA Striking techniques that are normally used in
conjunction with grappling and throwing techniques.
ATENAI YONI "Warning without penalty." This may be imposed
for attended minor infractions or for the first instance of
a minor infraction. The Referee raises one hand in a fist
with the other hand covering it at chest level and shows it
to the offender.
ATOSHI BARAKU "A little more time left." An audible signal
will be given by the time keeper 30 seconds before the
actual end of the bout.
ATTATE IRU "Contact"
AWASE UKE Joined Hand Block. (Sokumen awase uke)
AWASE ZUKI U Punch. Also referred to as MOROTE ZUKI.
AYUMI DACHI A stance found in ITOSU-KAI SHITO-RYU. It is a
natural "Walking" stance with the weight over the centre.
BO Staff. A long stick used as a weapon (approximately 6
feet long).
BOGYO ROKU KYODO Six Defense Actions. A basic drill of the
Japan Karate-Do Ryobu-Kai. Uses the old names of techniques
such as AGE TE, HARAI TE (or GEDAN
BARAI), SOTO YOKO TE, UCHI YOKO TE, SHUTO TE, and SUKUI TE.
BUDO Martial way. The Japanese character for "BU" (martial)
is derived from characters meaning "stop" and (a weapon like
a) "halberd." In conjunction, then, "BU" may have the
connotation "to stop the halberd." In Karate, there is an
assumption that the best way to prevent violent conflict is
to emphasize the cultivation of individual character. The
way (DO) of Karate is thus equivalent to the way of BU,
taken in this sense of preventing or avoiding violence so
far as possible. Military arts, cocepts, fighting arts of
Japan.
BUNKAI A study of the techniques and applications in KATA.
CHOKU ZUKI Straight Punch.
CHUDAN Mid-section. During the practice of KIHON IPPON
KUMITE (one step basic sparring), the attacker will normally
announce where he/she will attack.
JODAN, CHUDAN, or GEDAN (Upper level, Mid-level, or lower
level).
CHUDAN ZUKI A punch to the mid-section of the opponent's
body.
CHUI "Warning"
DAN, Lever, Rank or Degree. Black Belt rank. Ranks under
Black Belt are called KYU grades.
DO Way/path. The Japanese character for "DO" is the same as
the Chinese character for Tao (as in "Taoism"). In Karate,
the connotation is that of a way of attaining enlightenment
or a way of improving one's character through traditional
training.
DOJO Literally "place of the Way." Also "place of
enlightenment." The place where we practice Karate.
Traditional etiquette prescribes bowing in the direction of
the designated front of the dojo (SHOMEN) or JOSEKI whenever
entering or leaving the dojo.
DOMO ARIGATO GOZAIMASHITA Japanese for "thank you very
much." At the end of each class, it is proper to bow and
thank the instructor and those with whom you've trained.
Often shotened to Domo when heard in Japan.
EKKU A Wooden oar used by the Okinawans which was improvised as a weapon.
EMBUSEN Floor pattern of a given kata.
EMPI (1) One the Black Belt level KATA, translated as "The
Flight of a Sparrow". (2) Elbow. Sometimes referred to as
HIJI.
EMPI UCHI elbow strike (also called HIJI-ATE)
ENCHO-SEN "Extension." After a draw, the match goes into
overtime. Referee re-opens match with command "SHOBU
HAJIME."
FUDO DACHI "Immovable Stance. Also referred to as SOCHIN
DACHI.
FUJUBUN "Not enough power
FUKUSHIN SHUGO "Judges Conference"
FUMIKOMI Stomp kick, usually applied to the knee, shin, or
instep of an opponent.
GANKAKU DACHI Crane Stance, sometimes referred to as TSURU
ASHI DACHI and SAGI
ASHI DACHI.
GASSHUKUA special training camp.
GEDAN Lower section. During the practice of KIHON IPPON
KUMITE (one step basic sparring), the attacker will normally
announce where he/she will attack
GEDAN BARAI Downward Block.
UDE UKE Blocking with the forearm.
GEDAN ZUKI A punch to the lower section of the opponent's
body.
GI (DO GI) (KEIKO GI) (KARATE GI) Training costume. In JKR
and in most other traditional Japanese and Okinawan Karate
Dojo, the GI must be white and cotton (Synthetics with
Cotton allowed).
GO NO SEN The tactic where one allows the opponent to attack
first so to open up targets for counterattack.
GOHON KUMITE Five step basic sparring. The attacker steps in
five consecutive times with a striking technique with each
step. The defender steps back five times, blocking each
technique. After the fifth block, the defender executes a
counter-strike
GYAKU MAWASHI GERI Reverse Round-house Kick.
GYAKU ZUKI Reverse Punch.
HACHIJI DACHI A natural stance, feet positioned about one
shoulder width apart, with feet pointed slightly outward.
HAI "Yes".
HAISHU UCHI A strike with the back of the hand.
HAISHU UKE A block using the back of the hand.
HAITO UCHI Ridge-hand Strike.
HAJIME "Begin". A command given to start a given drill, Kata,
or Kumite.
HANGETSU A Black Belt level Kata. (Seishan in Wado karate)
HANGETSU DACHI "Half-Moon" Stance.
HANSHI "Master." An honorary title given to the highest
Black Belt of an organization, signifying their
understanding of their art. In Japan Karate-Do
Ryobu-Kai, the Hanshi is the Grandmaster of Ryobu-Kai,
Yasuhiro Konishi II.
HANSOKU "Foul." This is imposed following a very serious
infraction. It results in the opponent's score being raised
to SANBON. HANSOKU is also invoked when the number of
HANSOKU-CHUI and KEIKOKU imposed raise the opponent's score
to SANBON. The Referee points with his index finger tot he
face of the offender at a 45 degree angle and announces a
victory for the opponent.
HANSOKU CHUI "Warning with an IPPON penalty. This is a
penalty in which IPPON is added to the opponent's score.
HANSOKU-CHUI is usually imposed for infractions for which a
KEIKOKU has previously been given in that bout. The Referee
points with his index finger to the abdomen of the offender
of the offender parallel to the floor.
HANTEI "Judgment." Referee calls for judgment by blowing his
whistle and the Judges render their decision by flag signal.
HANTEI KACHI "Winner by decision".
HARAI TE Sweeping technique with the arm.
HARAI WAZA Sweeping techniques.
HASAMI ZUKI Scissor Punch
HEIKO DACHI A natural stance. Feet positioned about one
shoulder width apart, with feet pointed straight forward.
Some Kata begin from this position.
HEIKO DACHI A Heiko Dachi stance, where the front foot is
turned slightly inwards while the rear foot is straight.
This stance is found in the Shinpa kata.
HEIKO ZUKI "Parallel Punch" (A double, simultaneous punch).
HEISOKU DACHI An informal attention stance. Feet are
together and pointed straight forward.
HENKA WAZA Techniques used after OYO WAZA is applied. HENKA
WAZA is varied and many, dependent on the given condition.
HIDARI "Left".
HIJI "Elbow", also known as Empi.
HIJI-ATE elbow strike (also called EMPI-UCHI) HIJI ATEMI
Elbow Strikes.
HIJI UKE A blocking action using the elbow.
HIKI-TE The retracting (pulling and twisting) arm during a
technique. It gives the balance of power to the forward
moving technique. It can also be used as a pulling technique
after a grab, or a strike backward with the elbow.
HIKIWAKE "Draw." Referee crosses arms over chest, then
uncrosses and holds arms out from the body with the palms
showing upwards.
HITOSASHI IPPON KEN Forefinger Knuckle.
HIZA GERI Knee Kick.
HIZA UKE A blocking action using the knee.
HOMBU DOJO A term used to refer to the central dojo of an
organization.
HORAN NO KAMAE "Egg in the Nest Ready Position." A "ready"
position used in some KATA where the fist in covered by the
other hand.
INASU evasion of an on-coming attack through the course of
removing the body from the line of attack.
IPPON KEN "One Knuckle Fist".
IPPON KUMITE One step sparring. IPPON NUKITE A stabbing
action using the extended index finger.
IPPON SHOBU One point match, used in tournaments.
IRIMI to penetrate, to enter. Usually describes moving
closer to the opponent than the attack as you close in
defense. Sensei Harada performing irimi on a yoko-geri
attack
JIKAN "Time".
JIYU IPPON KUMITE One step free sparring. The participants
can attack with any technique whenever ready.
JIYU KUMITE Free Sparring.
JO Wooden staff about 4'-5' in length. The JO originated as
a walking stick.
JODAN Upper level. During the practice of KIHON IPPON KUMITE
(one step basic sparring), the attacker will normally
announce where he/she will attack JODAN,
CHUDAN, or GEDAN (Upper level, Mid-level, or lower level).
JOGAI "Exit from fighting area." The Referee points with his
index finger at a 45 degree angle to the area boundary on
the side of the offender.
JOGAI KEIKOKU "Second exit from fighting area." WAZA-ARI
penalty is given to the opponent.
JOGAI HANSOKU CHUI "Fourth and Final Exit from the fighting
area." Fourth exit from the fighting area causes victory to
the opponent.
JOGAI HANSOKU CHUI "Third exit from fighting area". Referee
uses two hand signals with announcement "AKA (or SHIRO)
JOGAI HANSOKU CHUI". He first points with his index finger
to the match boundary on the side of the offender, then to
the offender's abdomen. An IPPON is awarded to the opponent.
JUJI UKE X Block.
JUN ZUKI The WADO RYU term for OI-ZUKI.
KACHI Victorious. (e.g., AKA KACHI) in a tournament.
KAGI ZUKI Hook Punch.
KAISHO Open hand. This refers to the type of blow which is
delivered with the open palm. It can also be used to
describe other hand blows in which the fist is not fully
clenched.
KAKE-TE Hook Block.
KAKIWAKE A two handed block using the outer surface of the
wrist to neutralize a two-handed attack, such as a grab.
KAKUSHI WAZA "Hidden techniques."
KAKUTO UCHI Wrist joint strike. Also known as "KO UCHI."
KAKUTO UKE Wrist Joint Block. Also known as KO UKE. KAMAE A
posture or stance either with or without a weapon.
KAMAE may also connote proper distance (Ma-ai) with respect
to one's partner. Although "KAMAE" generally refers to a
physical stance, there is an important prallel in Karate
between one's physical and one's psychological bearing.
Adopting a strong physical stance helps to promote the
correlative adoption of a strong psychological attitude. It
is important to try so far as possible to maintain a
positive and strong mental bearing in Karate.
KAMAE-TE A command given by the instructor for students to
get into position.
KAPPO Techniques of resuscitating people who have succumbed
to a shock to the nervous system.
KARATE "Empty Hand". When Karate was first introduced to
Japan, it was called "TO-DE". The characters of TODE could
be pronounced. However, the meaning of
TODE is Chinese Hand.
KARATE-DO "The Way of Karate". This implies not only the
physical aspect of Karate, but also the mental and social
aspects of Karate.
KARATEKA A practitioner of Karate.
KATA A "form" or prescribed pattern of movement. (But also
"shoulder.")
KEAGE Snap Kick. (Literally, Kick upward).
KEIKO (1) Training. The only secret to success in Karate.
(2) Joined Fingertips.
KEIKOKU "Warning with WAZA-ARI penalty in SANBON SHOBU. This
is a penalty in which WAZA-ARI is added to the opponent's
score. KEIKOKU is imposed for minor infractions for which a
warning has previously been given in that bout, or for
infractions not sufficiently serious enough to merit HANSOKU-CHUI.
Referee points with his index finger to the feet of the
offender at an angle of 45 degrees.
KEKOMI Thrust Kick ( Literally, Kick Into/Straight ).
KEMPO "Fist Law." A generic term to describe fighting
systems that uses the fist. In this regard, KARATE is also
KEMPO.
KENSEI The technique with silent KIAI. Related to
meditation.
KENTSUI Hammer Fist Also known as TETTSUI. KENTSUI UCHI (Or
TETTSUI UCHI)
Hammer Fist Stike.
KERI Kick.
KI Mind. Spirit. Energy. Vital-force. Intention. (Chinese
"chi") The definitions presented here are very general. KI
is one word that cannot be translated directly into any
language.
KIAI A shout delivered for the purpose of focusing all of
one's energy into a single movement. Even when audible KIAI
are absent, one should try to preserve the feeling of KIAI
at certain crucial points within Karate techniques.
Manifestation of KI (simultaneous union of spirit and
expression of physical strength).
KIBA DACHI Straddle Stance. Also known as NAIFANCHI or
NAIHANCHI DACHI.
KIHON (Something which is) fundamental. Basic techniques.
KIKEN "Renunciation." The Referee points one index finger
towards the contestant.
KIME Focus of Power.
KI-O-TSUKE "Attention". Musubi Dachi with open hands down
both sides.
KIZAMI ZUKI Jab Punch.
KO BO ICHI The concept of "Attack-Defence Connection".
KO UCHI Wrist joint strike. Also known as KAKUTO UCHI. KO
UKE "Crane Block" or
"Arch Block". Same as KAKUTO UKE.
KOHAI A student junior to oneself.
KOKORO "Spirit, Heart." In Japanese culture, the spirit
dwells in the Heart.
KUBOTAN A self-defense tool developed by TAKAYUKI KUBOTA.
This tool serves normally as a key chain.
KOKEN Wrist Joint.
KOKUTSU DACHI A stance which has most of the weight to the
back. Referred to in English as Back Stance.
KOSA DACHI Crossed-Leg Stance.
KOSHIN Rearward.
KUATSU The method of resuscitating a person who has lost
consciousness due to strangulation or shock.
KUMADE Bear hand.
KUMITE Kumite or sparring is a way of practicing karate
techniques with a partner. There are two primary types of
kumite: pre-arranged (yakusoku), and free (ju). We focus
primarily on yakusoku which is divided into four
classifications: basic one-step sparring, three-step
sparring, five-step sparring, and semi-free one-step
sparring. Although our school does not emphasize sport
karate, sparring is an important aspect of our training in
the development of technique, attitude, coordination,
distance, and judgement.
KYOSHI "knowledgeable person," and usually this title is
conferred at rokudan or shichidan, depending on system. I
think the most common practice in the large organizations is
for this to be at shichidan (7th dan). KYU "Grade". Any rank
below Shodan.
KYUSHO WAZA Pressure Point techniques.
MA-AI Proper distancing or timing with respect to one's
partner. Since Karate techniques always vary according to
circumstances, it is important to understand how differences
in initial position affect the timing and application of
techniques.
(No Entries)
MAAI GA TOH "not proper distance"
MAE Front.
MAE EMPI Forward Elbow Strike.
MAE ASHI GERI Kicking with the front leg.
MAE GERI KEAGE Front Snap Kick. Also referred to as MAE
KEAGE. MAE GERI KEKOMI
Front Thrust Kick. Also referred to as MAE KEKOMI.
MAE UKEMI forward fall/roll.
MAKOTO A feeling of absolute sincerity and total frankness,
which requires a pure mind, free from pressure of events.
MANABU "Learning by imitating." A method of studying
movement and techniques by following and imitating the
instructor.
MANJI UKE A Double block where one arm executes GEDAN BARAI
to one side, while the other arm executes JODAN UCHI UKE (or
JODAN SOTO YOKO TE).
MATTE "Wait".
MAWASHI GERI Roundhouse Kick.
MAWASHI ZUKI Roundhouse Punch.
MAWASHI EMPI UCHI Circular Elbow Strike. Also referred to as
MAWASHI HIJI ATE.
MAWASHI HIJI ATE Circular Elbow Strike. Also referred to as
MAWASHI EMPI UCHI.
MAWAT-TE A command given by the instructor for students to
turn around.
MIENAI "I could not see." A call by a judge to indicate that
a given technique was not visible form his/her angle.
MIGI Right.
MIKAZUKI GERI Crescent Kick.
MOKUSO Meditation. Practice often begins or ends with a
brief period of meditation. The purpose of meditation is to
clear one's mind and to develop cognitive equanimity.
Perhaps more importantly, meditation is an opportunity to
become aware of conditioned patterns of thought and behavior
so that such patterns can be modified, eliminated or more
efficiently put to use.
MOROTE ZUKI U-Punch. Punching with both fists
simultaneously. Also referred to as AWASE ZUKI.
MOROTE UKE Augmented Block. One arm and fist support the
other arm in a block.
MOTO NO ICHI "Original Position." Contestants, Referee and
Judge return to their respective standing lines.
MUDANSHA Students without black-belt ranking.
MUMOBI "Warning for lack of regard for ones own safety."
Referee points one index finger in the air at a 60 degree
angle on the side of the offender.
MUMOBI KEIKOKU "Warning with WAZA=ARI penalty. Referee uses
two hand signals with announcement AKA (SHIRO)
MUBOBI-KEIKOKU. He first points with his index finger at a
60 degree angle on the side of the offender, then to the
offender's feet.
MUSHIN "No Mind." The state of being that allos freedom and
flexibility to react and adapt to a given situation.
MUSUBI DACHI An attention stance with feet pointed slightly
outward.
NAGASHI UKE Sweeping Block.
NAGASU "to flow like water". Deflection of an on-coming
attack. This term describes being carried by a current in a
stream. So this relates to nagashi uke in which you
re-direct the attack as it moves closer to you, sweeping is
just past you.
NAIFANCHI DACHI Straddle Stance. Also referred to as
NAIHANCHI DACHI and KIBA
DACHI. NAIHANCHI DACHI Straddle Stance. Also referred to as
KIBA DACHI and
NAIFANCHI DACHI.
NAKADAKA IPPON KEN Middle Finger Knuckle.
NAMI-GAESHI Returning Wave. Foot technique found in Tekki
Shodan to block an attack to the groin area. The technique
can also be used to strike the opponent's inner thigh or
knee.
NEKO ASHI DACHI Cat Stance.
NIHON NUKITE Two finger stabbing attack.
NIDAN Second Level, as in Second Degree Black Belt.
NIDAN GERI Double Kick.
NORU "to ride" or "to carry" or "to give a ride to", so you
ride on your opponent's attacking arm or leg, etc. You may
also ride his hikite to break his rhythm; this is very hard
to defend.
NUKETE IRU "Out of Target"
NUKITE Spear Hand.
NUNCHAKU An Okinawan weapon consisting of two sticks
connected by rope or chain. This was originally used by the
Okinawans as a farm tool to thrash rice straw.
OBI A belt.
OI-ZUKI Lunge Punch. (Jun-zuki)
ONEGAI SHIMASU "I welcome you to train with me," or
literally, "I make a request." This is said to one's partner
when initiating practice.
OSAE UKE Pressing Block.
OTOSHI EMPI UCHI An elbow strike by dropping the elbow. Also
referred to as
Otoshi Hiji Ate.
OYAYUBI IPPON KEN Thumb Knuckle.
OYO WAZA Applications interpreted from techniques in Kata,
implicated according to a given condition.
(No Entries)
(No Entries)
REI "Respect". A method of showing respect in Japanese
culture is the Bow. It is proper for the junior person bows
lower than the senior person.
REIGI Etiquette. Also referred to as REISHIKI. Observance of
proper etiquette at all times (but especially observance of
proper DOJO etiquette) is as much a part of one's training
as the practice of techniques. Observation of etiquette
indicates one's sincerity, one's willingness to learn, and
one's recognition of the rights and interests of others.
REINOJI DACHI A stance with feet making a 'L-shape.'
RENSEI Practice Tournament. Competitors are critiqued on
their performances.
ENSHI "A person who has mastered oneself." This person is
considered an expert instructor. This status is prerequisite
before attaining the status as KYOSHI. Renshi "has a name."
Renshi is no longer one of the many, so to speak. Renshi is
usually given at yodan to rokudan, depending on the system.
SAGI ASHI DACHI One Leg Stance. Also referred to as GANKAKU
DACHI or TSURU
ASHI DACHI.
SAI An Okinawan weapon that is shaped like the Greek letter
'Psi' with the middle being much longer.
SANBON KUMITE Three Step Sparring.
SANBON SHOBU Three Point match. Used in tournaments.
SANCHIN DACHI Hour-glass Stance.
SASHITE Raising of the hand either to strike, grab, or
block.
SEIKEN Forefist.
SEIRYUTO Bull Strike. A hand technique.
SHUTO (Knife hand).
SEIZA A proper sitting position. Sitting on one's knees.
Sitting this way requires acclimatization, but provides both
a stable base and greater ease of movement than sitting
cross-legged. It is used for the formal opening and closing
of the class.
SEMPAI A senior student.
SEN NO SEN Attacking at the exact moment when the opponent
attacks.
SEN SEN NO SEN Attacking before the opponent attacks.
Preemptive attack.
SENSEI Teacher. It is usually considered proper to address
the instructor during practice as "Sensei" rather than by
his/her name. If the instructor is a permanent instructor
for one's DOJO or for an organization, it is proper to
address him/her as "Sensei" off the mat as well.
SHIAI A match or a contest (Event).
SHIDOIN Formally recognized Instructor who has not yet be
recognized as a
SENSEI. Assistant Instructor.
SHIHAN A formal title meaning, approximately, "master
instructor." A "teacher of teachers." Hanshi is "wise" or
sage-like, hence the common translation of "master." Shinan
may be an alternative pronunciation.
SHIKKAKU "Disqualification." This is a disqualification from
the actual tournament, competition, or match. The opponent's
score is raised to SANBON. In order to define the limit of
SHIKKAKU, the Referee Council must be consulted. SHIKKAKU
may be invoked when a contestant commits an act which harms
the prestige and honor of Karate-Do and when other actions
are considered to violate the rules of the tournament.
Referee uses two hand signals with the announcement "AKA (SHIRO)
- SHIKKAKU." He first points with his index to the
offender's face then obliquely above and behind him. The
Referee will announce with the appropriate gesture as
previously given "AKA
(SHIRO) NO KACHI!" SHIKO DACHI Square Stance. A stance often
used in Goju-Ryu and Shito-Ryu.
SHINKO-KATA These are the basic techniques which accompany
each kata. They consist of blocks, parries, strikes, kicks,
punches, etc. which make up the moves of karate. The longer
a student trains, the more complex and demanding the
shiko-katas become.
SHIRO White
SHIZENTAI Natural Position. The body remains relaxed but
alert.
SHOBU HAJIME "Start the Extended Bout."
SHOBU SANBON HAJIME "Start the Bout"
SHOMEN Front or top of head. Also the designated front of a
Dojo.
SHUGO "Judges Called." The Referee beckons with his arms to
the Judges.
SHUTO TE Same as SHUTO UKE. This name was used before the
advent of sport karate. Used to describe one of the
techniques in BOGYO ROKU KYODO. SHUTO
UKE Knife-hand Block.
SOCHIN DACHI Immovable Stance. Also referred to as FUDO
DACHI.
SOKUTO Edge of foot. This term is often used to refer to the
side thrust kick.
SOTO (UDE) UKE Outside (Forearm) Block.
SOTO YOKO TE Same as UCHI UDE UKE. This name was used before
the advent of sport karate. Used to describe one of the
techniques in BOGYO ROKU KYODO.
SUKUI TE Same as SUKUI UKE. This name was used before the
advent of sport karate. Used to describe one of the
techniques in BOGYO ROKU KYODO.
SUKUI UKE Scooping Block.
SAWARA WAS Techniques from a sitting position.
TAI SAKAE Body movement/shifting.
TATE EMPI Upward Elbow Strike.
TATE ZUKI Vertical Punch. A fist punch with the palm along a
verticalplane.
TATE URAKEN UCHI Vertical back-fist attack.
TEIJI DACHI A Stance with the feet in a 'T-shape.'
TEISHO UCHI Palm Heel Strike.
TEISHO UKE Palm Heel Block.
TETTSUI UCHI Hammer Strike. Also called KENTSUI.
TOBI GERI Jump Kick.
TONFA A farm tool developed into a weapon by the Okinawans.
TORANAI "No Point"
TORIMASEN "Unacceptable as scoring techniques." As HIKIWAKE,
but culminating with the palms facing downwards towards
body.
TSUKAMI WAZA Catching technique. A blocking technique by
seizing the opponent's weapon, arm, or leg. Used often for
grappling techniques.
TSUKI A punch or thrust (esp. an attack to the midsection).
TSURU ASHI DACHI Crane Stance, also referred to as GANKAKU
DACHI and
SAGI ASHI DACHI.
TSUZUKETE "Fight On!" Resumption of fighting ordered when
unauthorized interruption occurs.
TSUZUKETE HAJIME "Resume Fighting - Begin!" Referee standing
upon his line, steps back into ZENKUTSU DACHI and brings the
palms of this hands toward each other.
TUITE Grappling skills.
UCHI DESHI A live-in student. A student who lives in a dojo
and devotes him/herself both to training and to the
maintenance of the dojo (and sometimes to personal service
to the SENSEI of the dojo).
UCHI MAWASHI GERI Inside Roundhouse Kick.
UCHI (UDE) UKE Inside (Forearm) Block.
UCHI YOKO TE Same as SOTO UDE UKE. This name was used before
the advent of sport karate. Used to describe one of the
techniques in BOGYO ROKU KYODO.
UKE Block.
UKEMI WAZA Breakfall techniques.
URA ZUKI An upper cut punch used at close range.
URAKEN Back Knuckle.
USHIRO EMPI UCHI Striking to the rear with the elbow.
USHI Ox or Bull found in Chinese and Japanese Horoscopes.
USHIDO The way of the Bull or Ox, a name for our clubs,
style etc.
USHIRO GERI Back Kick.
(No Entries)
WA-UKE A block where the path taken is similar to the
yoko-uke. Imagine wiping a wall in front of you with your
palm in a half-circle. At the end of the block the hand is
angled slightly to the outside. This block occurs in the
Shinpa kata.
WAZA Technique(s).
WAZA ARI "Half point"
(No Entries)
YAMA ZUKI Mountain Punch. A wide U-shaped dual punch.
YAME Stop!
YASUMI Rest. A term used by the instructor to have the
students relax, normally following a long series of drills.
YOI Ready.
YOKO Side.
YOKO GERI KEAGE Side Snap Kick. Also referred to as YOKO
KEAGE.
YOKO GERI KEKOMI Side Thrust Kick. Also referred to as YOKO
KEKOMI.
YOKO MAWASHI EMPI UCHI Striking with the elbow to the side.
YOKO TOBI GERI Flying Side Kick.
YOWAI "Weak Focus"
YUDANSHA Black belt holder (any rank).
ZANSHIN Lit. "remaining mind/heart." Even after a Karate
technique has been completed, one should remain in a
balanced and aware state. ZANSHIN thus connotes "following
through" in a technique, as well as preservation of one's
awareness so that one is prepared to respond to additional
attacks.
ZA-REI The traditional Japanese bow from the kneeling
position.
ZENKUTSU DACHI Forward Stance.
ZENSHIN Forward.
ZORI Japanese slippers